- English
- 中文(简体)
The old rules: Play it safe. Stay in your comfort zone. Find an institution, a job, a set of rules to stick to. Keep your head down. Don’t fly too close to the sun.
The new truth: It’s better to be sorry than safe. You need to fly higher than ever.
In his bravest and most challenging book yet, Seth Godin shows how we can thrive in an economy that rewards art, not compliance. He explains why true innovators focus on trust, remarkability, leadership, and stories that spread. And he makes a passionate argument for why you should be treating your work as art.
Art is not a gene or a specific talent. It’s an attitude, available to anyone who has a vision that others don’t, and the guts to do something about it. Steve Jobs was an artist. So were Henry Ford and Martin Luther King Jr.
To work like an artist means investing in the things that scale: creativity, emotional labor, and grit. The path of the artist isn’t for the faint of heart—but Godin shows why it’s your only chance to stand up, stand out, and make a difference.
The time to seize new ground and work without a map is now. So what are you going to do?
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Creators
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Publisher
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Release date
January 1, 2013 -
Formats
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OverDrive Listen audiobook
- ISBN: 9780385366700
- File size: 207909 KB
- Duration: 07:13:08
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Languages
- English
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Reviews
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Publisher's Weekly
February 4, 2013
The latest of Godin's cheerleaderly books is written in bumper sticker fashion, urging readers to overcome "brainwashing" and release the artist within. Unfortunately, this means Godin (Poke the Box) doesn't offer anything that hasn't been espoused by every generation since Socrates: "Art is what we do when we are truly alive." "Fly closer to the sun." "Art has no right answer." "We don't need more stuff; we need more humanity." Art is about breaking out of the box, not being a cog in the system; it's standing up to authority. But only once does Godin mention that this might result in a lack of ability to pay the rent. In that case, art should be arrived at in little steps. He gives tips to becoming an artist: notice, don't be afraid of humiliation, and "when art fails, make better art." Perhaps smarting from comments on previous books, he warns against critics: "Shun the nonbelievers." He pushes readers to connect with the world, to be human; at the same time he suggests that they are above the masses and need to follow their own paths. The truth is that artists don't need a book to tell them what to do; they are already doing it.
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