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Quitter

A Memoir of Drinking, Relapse, and Recovery

ebook
1 of 1 copy available
1 of 1 copy available
"Barnett's prose style is brassy and cleareyed, with echoes of Anne Lamott." —Beth Macy, The New York Times Book Review

"Emotionally devastating and self-aware, this cautionary tale about substance abuse is a worthy heir to Cat Marnell's How to Murder Your Life." —Publishers Weekly (starred review)
A startlingly frank memoir of one woman's struggles with alcoholism and recovery, with essential new insights into addiction and treatment
Erica C. Barnett had her first sip of alcohol when she was thirteen, and she quickly developed a taste for drinking to oblivion with her friends. In her late twenties, her addiction became inescapable. Volatile relationships, blackouts, and unsuccessful stints in detox defined her life, with the vodka bottles she hid throughout her apartment and offices acting as both her tormentors and closest friends.
By the time she was in her late thirties, Erica Barnett had run the gauntlet of alcoholism. She had recovered and relapsed time and again, but after each new program or detox center would find herself far from rehabilitated. "Rock bottom," Barnett writes, "is a lie." It is always possible, she learned, to go lower than your lowest point. She found that the terms other alcoholics used to describe the trajectory of their addiction—"rock bottom" and "moment of clarity"—and the mottos touted by Alcoholics Anonymous, such as "let go and let God" and "you're only as sick as your secrets"—didn't correspond to her experience and could actually be detrimental.
With remarkably brave and vulnerable writing, Barnett expands on her personal story to confront the dire state of addiction in America, the rise of alcoholism in American women in the last century, and the lack of rehabilitation options available to addicts. At a time when opioid addiction is a national epidemic and one in twelve Americans suffers from alcohol abuse disorder, Quitter is essential reading for our age and an ultimately hopeful story of Barnett's own hard-fought path to sobriety.
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    • Publisher's Weekly

      Starred review from April 6, 2020
      Journalist Barnett debuts with an intense account of her alcoholism, denial, and, ultimately, redemption. With her first taste of alcohol as a 13-year-old in 1991, she discovered a “magic trick that took me outside myself,” one that, after graduating from the University of Texas, turned a shy young woman into a gregarious one. After landing her first reporting job at the Austin Chronicle, Barnett began drinking heavily, suffering blackouts before accepting a job at Seattle Weekly. In Seattle, her problem worsened, with more frequent blackouts and Barnett relying on box wine at her desk at work. Barnett’s snappy prose carries the reader through several rounds of rehab before the final one sticks, pulling no punches as she goes. Barnett doesn’t skimp on her life’s lows (she goes to an interview drunk, and shoplifts wine) of how her ever-worsening problem caused her to lose her health, her job, and many of her friends, and alienate her family. In the end, she begins therapy and reluctantly joins AA, eventually acknowledging, “I feel better if I give some of those things up to whatever’s out there.” Emotionally devastating and self-aware, this cautionary tale about substance abuse is a worthy heir to Cat Marnell’s How to Murder Your Life.

    • Kirkus

      May 15, 2020
      A Seattle-based political reporter recounts her tumultuous, nearly deadly dance with the bottle. Writing a recovery memoir seems to be Step 13 for many professional writers of nonfiction who make it out the other side of addiction: Pete Hamill, Leslie Jamison, Mary Karr, David Carr, Caroline Knapp, and Sarah Hepola are just a few of the names that spring to mind. Perhaps because such authors have claimed truth-telling as their life's work, and because addiction involves so many lies, putting an honest version of this story in print is a necessary part of reclaiming their identities as writers. The problem, of course, is that it's usually the same story, which puts a heavy burden on prose style. Barnett rises to the challenge with a witty, self-deprecating, sometimes snide voice. (She describes her boyfriend's friends as "well-adjusted in ways that made me nervous, with carefully curated lives filled with long-haired, gender fluid children, camping trips, and backyard chicken coops.") The author engagingly chronicles her Southern roots and her school years in a Houston suburb, including some heavy teenage drinking, and then moves on to her first jobs, at the Texas Observer and the Austin Chronicle. In Austin, she found that "the grown-up world replicates high school in ways we don't always recognize or acknowledge," and her attempts to fit in with her new peer group led to her first blackout drinking. Barnett's journey involved an almost unbearable number of relapses, and readers may begin to feel the way her family and friends did: out of patience and sympathy. Nonetheless, this is the truth, and she tells it openly. Like many others, she utterly denied that AA was right for her--until it became the only way to save her life. If you're in the mood for a well-written, relatable, rock-bottom recovery memoir, this will hit the spot.

      COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • OverDrive Read
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Languages

  • English

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