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Universality

'Utterly phenomenal.' ELIZABETH DAY

ebook
0 of 2 copies available
Wait time: About 10 weeks
0 of 2 copies available
Wait time: About 10 weeks
A MUST-READ NOVEL OF 2025 IN THE GUARDIAN, SUNDAY TIMES, GQ, ELLE, WATERSTONES AND GOOD HOUSEKEEPING, AMONG OTHERS 'An instant classic.' ELLE 'Brave, wry, cool, and thrilling.' ANDREW O'HAGAN 'Original, vital, and unputdownable.' TESS GUNTY 'Utterly phenomenal.' ELIZABETH DAY 'Smart, twisty and original.' DAVID NICHOLLS Remember - words are your weapons, they're your tools, your currency. Late one night on a Yorkshire farm, a man is brutally bludgeoned with a solid gold bar. A plucky young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic columnist, and a radical anarchist movement. She solves the mystery, but her viral longread exposé raises more questions than it answers. Universality is a twisty, slippery descent into the rhetoric of truth and power. Through a voyeuristic lens, it focuses on words: what we say, how we say it, and what we really mean. The follow-up novel to Natasha Brown's Assembly is a compellingly nasty celebration of the spectacular force of language. It dares you to look away.
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    • Publisher's Weekly

      Starred review from January 6, 2025
      Brown’s ambitious and stimulating sophomore novel (after Assembly) begins with an assault during an illegal rave on a West Yorkshire farm. The event, held in violation of Covid lockdown protocols, is recounted in a magazine article that makes up the novel’s first section, which describes how the perpetrator, a lost young man named Jake, came to attack the victim, a radical activist named Pegasus, with a gold bar. The rest of the novel comprises a series of spryly shifting perspectives, as Brown traces the impact of the article on its principal figures, including its floundering writer, the divorced owner of the farm, an investment banker, and a maverick columnist who calls herself “an equal-opportunity hater.” Indeed, Brown’s narrative is less concerned with the crime than with astutely portraying the thorny, complex ways that class and race seep into news, information, and language itself—and how they can be utilized for personal gain. As in Susan Choi’s Trust Exercise and Lisa Halliday’s Asymmetry, part of the fun is in seeing where the story will jump to next, and the ways in which each new perspective changes the reader’s understanding. The result is a dizzying and fascinating tale. Agent: Emma Paterson, Aitken Alexander Assoc.

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  • English

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