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1 of 1 copy available
1 of 1 copy available

Late at night Lloyd Fitzherbert, police reporter with the Sydney Gazette, is picked up by his man in CIB - for a last-minute job that won't take a minute - at the morgue. A body has been found in the harbour. Irma, a beautiful young woman who fled persecution in Nazi Europe, is dead.

She was Fitzherbert's lover. And, though the police don't know it yet, he killed her.

Gripping and atmospheric, The Refuge is a murderer's confession - a tale of wartime Sydney, with its paranoia about communism and spies. Kenneth Mackenzie's last novel is utterly different to his lauded debut, The Young Desire It, yet it shares that book's psychological acuity and mastery of language.

Kenneth Mackenzie was born in 1913 in South Perth. His parents divorced in 1919, and thereafter he lived with his mother and maternal grandfather. Unhappy years boarding at Guildford Grammar School were the basis for his highly acclaimed first novel, The Young Desire It, which was published in London in 1937. Mackenzie's subsequent novels were The Chosen (1938), Dead Men Rising (1951), based partly on his experience of the Cowra breakout and The Refuge (1954); he also produced two volumes of poetry. He received a number of grants and awards, including the Australian Literature Society Gold Medal.

'The history of a crime told as excitingly and with as much dramatic tension as anything by Graham Greene or Raymond Chandler.' Kenneth Slessor, Sun

'Remarkable...A genuine personal tragedy.' A. D. Hope, Sydney Morning Herald

'Fascinating, extremely skilful and subtle.' Sun-Herald

'One of our most gifted novelists.' Sunday Observer

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    • Kirkus

      September 1, 2015
      A crime reporter is thrown into turmoil by the death of his refugee lover in this final novel by an acclaimed and troubled Australian writer. Mackenzie made a successful debut in 1937 with The Young Desire It. By the time this final novel was published in 1954, he was battling alcoholism. He drowned while swimming the following year. The story begins with the nocturnal atmosphere common to much hard-boiled writing. Lloyd Fitzherbert, a Sydney newspaperman, is finishing up a late shift in the press room when a call to a police contact brings him face to face with the corpse of Irma, the Dutch refugee who was his lover. In flashback, the novel details how Fitz and Irma came to meet just after she arrived in Australia before the beginning of World War II. A target of the Nazis in Holland, she is now, she claims, being pursued by her former communist associates, who are wary of the knowledge she possesses. Mackenzie is contrasting the literal and figurative isolation of Australia with the turmoil that had already touched the rest of the world. He seems to have intended to write a thriller saturated in the particularly noir mixture of longing, regret, and obsessiveness. Those elements, along with any tension, are lost in the thickets of more than 400 pages, which feel too much like a philosophical inquiry. The novel maps a state of torment which, sadly, has not been rendered lucidly.

      COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

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